Civil War became the second superhero film (after Avengers: Age of Ultron) and the ninth American film; Zootopia became the first animated film and seventh American film (third highest after Furious 7 and Transformers: Age of Extinction, with ¥1.53 billion); Kung Fu Panda 3 became the second animated film and eighth American film; Warcraft became the first video game adaptation, the tenth American film, and the fastest film to hit the milestone (114 hours); and The Great Wall became the eleventh American film.
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We asked 163 critics and curators to name their five top movies of the year – and atop what may be our most diverse annual poll yet, the runaway winner is a German comedy…
☞ See our January 2017 issue for more reflections on the year in cinema ☞ The best DVDs and Blu-rays of 2016 ☞ The best documentaries of 2016 ☞ The best indie animation of 2016 ☞ Video: The superhero movies of 2016 Also below, the best films from Britain, Europe, the USA, Latin America and Asia, those by female directors and those released in the UK in 2016.
Great cinema can be escapist, but it can also reflect the imperfect world we occupy in slightly more perfect color: the grief ( (spoiler alert: One of the star-crossed lovers does die) but whether the on-screen chemistry of its stars, Brad Pitt and Marion Cotillard, was really worthy of all those real-life rumors of a scorching affair between the two that ultimately ended Pitt’s marriage. In fact, for most of the film, Cotillard, who plays a steamily coquettish French Resistance fighter (Marrianne Beauséjour), continually makes awkward passes at Pitt (Max Vatan), an intelligence officer, while the two risk their lives behind enemy lines in 1942 North Africa.
For lovers of the World War II classic , get ready for obvious overtones.
Movies released outside the indicated time period are shown in italics.
The season of sequels may be upon us, but the best movies so far this year have been a mix of original fare and art-film gems. Ranked, here are USA TODAY's film critic's top movies for the first half of 2016.
Thus begins his secretive campaign to find out’s concept is its strongest asset by far, but director Denis Villeneuve, who will no doubt become one of the greatest of his generation, has taken a creative nugget and expanded it to create a gripping tale of time, language and love, with an elegant and tangible realism that makes it unique in comparison with its counterparts.
Amy Adams excels in one of her best roles, which is something of an achievement considering how many great parts she has had.
You don’t have to have a soft spot for Duran Duran or The Cure to enjoy this musically tinged, 1980s-set coming-of-age treat but it helps.
A teenage Irish boy (Ferdia Walsh-Peelo) seemingly wanders out of his league when he falls for a local model (Lucy Boynton) and forms a band so she can be in their videos.
“Maren Ade’s winning daughter-father comedy contains some of the sharpest moments of audience blindsiding I’ve ever encountered…